After having a rough time in BlueBell, Zoe (Rachel Bilson) decides a little time in New York City might be the perfect opportunity to give her some much needed perspective. But a medical emergency on the plane forces her to complete the trip with an unexpected companion. George (Scott Porter) struggles with his constant relationship misfortunes, until he runs in to Lily Anne (guest star Amy Ferguson), who helps him with his heartache. When Lemon (Jaime King) promises that the Rammer Jammer will be having a special concert with the band Gloriana, she must scramble to make it happen, with the less-than-enthusiastic help of Wade (Wilson Bethel). Meanwhile, Lavon (Cress Williams) discovers that the opposing town’s Mayor has stolen something dear to him and enlists the help of the townspeople to get it back. Tim Matheson directed the episode written by Leila Gerstein and Len Goldstein.

As the result of a NASA miscalculation, Astronaut Jack Austin flew too close to the sun, the rays expanding his mind and making him the smartest man on the planet. Now he and his talking motorcycle (who contains the mind of his former roommate) are on the run from NASA who wants to take his brain.

Durant returns to town with his wife Hannah. Lily is concerned about her future with the railroad. The Swede sabotages a steam powered winch used to build the bridge.

Have you ever heard someone say, ”I don’t watch TV.” Then there is a pause, before they finish their sentence, “…but I did just marathon watch House of Cards on Netflix.” Or “I borrowed my friend’s DVDs and watched The Wire for the first time!” Or maybe, how they watch Revenge but only on ABC.com? How do you watch TV? On an actual TV? On a computer? With a Roku? On Netflix? Do you have a 2nd screen? Maybe a third one? What’s on it? Twitter? Facebook? Viggle? Get Glue? Whether you watch week-to-week or consume in massive marathon-viewing, television is becoming an “any way you want it” medium that no one fully knows how to monitor or gage just yet. Hear from the executives, actors, and creators who are in the midst of the changing landscape of how we watch TV. These panelists have seen how social media has brought their audience back to “live viewing,” resurrected shows that before the digital age might have been forgotten, and have given the viewer the power to decide when and where (and sometimes how) their favorite show will unfold.

Coinciding with the 50th Anniversary of Marilyn Monroe’s death, LOVE, MARILYN features remarkable footage and audiotapes along with Marilyn’s own handwritten letters, diaries, notes, poems, journals and notebooks, which document her private life against the backdrop of her very public life and loves. The film also includes readings and appearances by Elizabeth Banks, Adrien Brody, Ellen Burstyn, Glenn Close, Hope Davis, Viola Davis, Jennifer Ehle, Ben Foster, Paul Giamatti, Jack Huston,Lindsey Lohan, Janet McTeer, Jeremy Piven, Oliver Platt, David Strathairn, Lili Taylor, Uma Thurman, Marisa Tomei and Evan Rachel Wood. Interviews and archival footagefeatures Arthur Miller, Joe DiMaggio,Truman Capote, Norman Mailer and Elia Kazan.

When Detectives Frank Agnew and Joe Geddes murder a fellow cop, the DPD launches an investigation that filters through more than just the homicide department. Damon learns how far he will go to make a name for himself on the streets of Detroit.

Angela Chase begins a friendship with Rayanne Graff and Rickie Vasquez. At home there is tension between her and her mother.

When people think about “mythology” in a TV series, they often think “supernatural” — but it’s not just the sci-fi genre that needs a rule book. Whether a series is set in an alternate time period, a certain socioeconomic level, or a new world of immortal beings, both genre and non-genre writers/producers/creators face a plethora of pros and cons related to creating their worlds. Listen as they discuss anecdotes related to mythologies that have both helped and hurt a series.

In order to earn much-needed cash, a group of young adults backpacking around the world agree to assist the CIA in secret missions.