Birds of Chicago
w/ Seth Walker
Friday, December 13th
All Ages | 8pm
$18 Day of Show
“Nero and Russell play folk-rock with impressionistic flourishes and gospel warmth, lent unexpected extravagance by Russell’s singing…” —NPR
Birds of Chicago have been riding a swell of good mojo in the American world since their inception in late 2012. With their new album, Love in Wartime, they are set to both confirm that roots world buzz, and break on through to a wider audience across the world.
Recorded in Chicago against a backdrop of bewilderment, deep-divide and dread, Love in Wartime is a rock and roll suite with a cinematic sweep. Co-produced by Nero and Luther Dickinson (North Mississippi Allstars), it evokes epic efforts of the 60’s and 70’s, with love as the undeniable throughline. As Russell puts it, “Any act of love is an act of bravery. These songs are snapshots of covenants, big and small, of trust and understanding. We want to give people some good news, and we want them to be able to dance when they hear it.”
When BOC released it’s last album, the Joe Henry produced Real Midnight, in 2016, critics scrambled to find the right terminology to describe the deep lyricism, gut-punch singing and fevered musicality. . . “Secular gospel” Was one phrase that caught some traction. That fervor is evident in Love in Wartime as well: “Roll Away the heavy stone/roll away the heavy hours/roll on in the summer mon/who’s alive who’s alive who’s alive?” The invitation is joyous, but urgant. . . call it “secular gospel,” or call it what they used to call poetry intoned over roots music mash-ups: rock n roll. The Birds consider themselves a rock and roll band first and foremost, and Love in Wartime doesn’t leave any doubt about that.
“Are You Open?” Seth Walker sings on his transfixing new album of the same title. More than just a question, it’s a challenge, an invitation, a dare. “To me, being open means being vulnerable and exposed,” explains Walker, “but that’s where the little nuggets of creative gold come from. I never planned an overall concept for this record, but each of these songs seemed to spin out from asking myself that one simple
“…an accomplished guitarist and an even better singer, distilling the soul of Ray Charles, the Southern boy roots charm of Delbert McClinton, and an uptown blues turn of phrase (à la Percy Mayfield) into his own distinct voice.” – The Vinyl District
"Walker's brilliantly nuanced vocals are as natural, clear, sharp, and as effortlessly elegant as his guitar playing..." - All Music
"It’s a welcome thing that Seth Walker’s chosen to pitch his tent in Americana...Walker has a way with smooth and swinging phrasing and makes classically accessible up-front pleas." - Nashville Scene
“If you subscribe to the Big Tent theory of Americana, then Seth Walker –with his blend of blues, gospel, pop, R&B, rock, and a dash country—just might be your poster boy.” - Country Standard Time