INDIA TIGERS IN TEXAS W/ MOHAMA SAZ
https://www.indiatigersintexas.com/
Since the release of their debut album, India Tigers in Texas have quickly carved a seat for themselves at the Texas psychedelic table. They have shared the stage with luminaries of their genre such as Frankie and the Witch Fingers, Death Valley Girls, Acid Mothers Temple, Sugar Candy Mountain, Alex Maas, Christian Bland and the Revelators, Os Mutantes and Bubble Puppy. With a new album being released in early 2026, you can expect the band’s signature take on psych garage to evolve in novel directions, while they continue to bring high energy and mind bending sets that their fans love.
Mohama Saz is a unique group. Musicians forged in Madrid’s underground scene who have taken part in some of the most personal and daring projects of the last two decades, and have created bands and records considered “cult” by many music lovers and fans of the unusual. From RIP KC to Melange, passing through Novak, Atom Rhumba, Cabezafuego, Las Malas Lenguas de Javier Colis, and Los Cuantos.
Always avoiding the perpetuation of stereotypes and striving to expand their own sonic language, they have drawn on non-Western instruments, rhythms, melodies, and textures—both as a vital search and even as a political stance. They turned away from the Anglo-Saxon tradition, from pop formulas, from the music of the victors—yet without ceasing to be a rock band, or what they understand as rock: a language that can still transgress and remain dangerous, poisonous, never complacent with its own clichés (which they detest), that speaks to the nonconformists, that unsettles and stirs, and that is not meant to sell you the latest trendy product made with exploited labor.
For them, music is expression, not the repetition of patterns; it is emotion, not academicism—but it is also a weapon, a powerful weapon loaded with the future, as Celaya would say, used to stand against what is rotten and to find some light. That is why they take a stand, get their hands dirty, and curse those who disengage and escape. In this way, they recreate their musical subconscious in their own manner and without premeditation. There are no rules, only the search for their own emotion. They travel to cultures, whether real or imagined, to find new impulses; they strip away the superfluous, dig through the old and forgotten, and sometimes explore other planets with their eyes closed. Perhaps denial and the departure toward new worlds is the best way to find ourselves.
