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Cannery Hall Presents: 

408

SILLY GOOSE

TELLTALE

DEFINITELY MAYBE

SUNDAY, APRIL 21, 2024 

ROW ONE 

 

Doors: 6:00PM 

Show: 7:00PM 

 

18+

 

As a DIY act, Orlando’s 408 were in rarified air, earning cosigns from the likes of Sleeping With Sirens’ Kellin Quinn, Underoath’s Aaron Gillespie and even blink-182’s Mark Hoppus for their prolific blend of turn-of-the-millennium pop-punk and modern pop, hip-hop, and EDM that swirls to create a chameleonic, state-of-the-art sound.

 

And while million-plus-streamers like “We Don’t Get High Like We Used To,” “Backfired (ft. Taylor Acorn)” and, yes, “Mark Hoppus” introduced 408 to a worldwide audience, it’s their next chapter – a global record deal with Big Noise and a forthcoming full-length, Hot Mess – that’s poised to take them to the next level.

 

Since forming in 2016, Mark Faroudi (vocals/bass), Nick Hanus (vocals/guitar), Nick Roque (vocals/guitar) and Jake Cerretani (drums) have never been ones to stay in their own lane. On releases like 2022’s Out Of It and 2023’s Generational EP, the quartet have embraced the playlist generation, bridging the gap between genres and eras while racking up nearly 500,000 Spotify listeners and viral TikTok moments that have reached millions more ears.

 

“We talk a lot about not wanting to sound stale,” Cerretani explains. “I think the diversity of our sound comes from us all having our own creative itches to scratch. When someone brings an idea to the table, no matter how out of the box it might be, we’re down to go on a ride to chase something that makes us feel good.”

 

Look no further than “Break Up With Your Girlfriend,” a sun-kissed slice of bouncy, late-’90s pop/rock written with Kyle Fishman (Dan + Shay) and Nick Bailey (Machine Gun Kelly, jxdn). It’s the sort of anthemic, elastic songwriting that fills Hot Mess, which was produced by John Feldmann, Andrew Wade and Andrew Karpovck and bridges the romantic and sarcastic with earworm melodies and a wry smile. The band wrote more than 50 songs for the album, narrowing them down to a baker’s dozen calibrated to highlight their every strength, from the sludgy excess of “666 In The Morning” and Weezer crunch-stomp “Hot Mess” to the longing “Life Goes On” and hazy, nostalgic “Remember Her Like That.”

 

“To us, writing songs is all about feelings,” Faroudi says. “When people hit play on this album, we want them to feel how we did when we heard blink or Jimmy Eat World or Third Eye Blind for the first time.”

 

That sense of musical escapism has been a true guiding force for 408, named after a Florida highway Faroudi frequented in his youth. “Growing up in a small town, getting on the 408 and heading to Orlando was a big deal for me,” he says. “I had a lot of life moments on that road – getting broken up with, losing a job, heading back home to visit family – and all of them are tied to songs I was able to lose myself in.”

 

And as 408’s songs become that soundtrack for future generations of listeners, the band is able to sit back with immense pride knowing they’ve built the foundation of their success with their own hands. “We’ve been working so long by ourselves, and to have Big Noise believe in us is so validating,” Cerretani says. “Whatever comes next, we’re ready to embrace it.” XX

 

1 Cannery Row - Nashville, TN - 37203 

 

ADDITIONAL KNOW BEFORE YOU GO’S 

This ticket cannot be replaced if lost, stolen, or destroyed. This ticket is valid for the event for which it is issued. No exceptions. This ticket is a revocable license which may be withdrawn, and admission refused any time at the sole discretion of the management of Cannery Hall upon refunding the printed purchase price. Inappropriate conduct and resale at a higher price than that printed on the front of the ticket are grounds for seizure or cancellation without refund or compensation. The holder of this ticket agrees they cannot transmit or aid in transmitting a description, account, picture, or reproduction of the event to which this ticket admits them. This ticket may not be used in any way for fundraising, promotion (including contests and sweepstakes) or any commercial, business, or other trade purposes without the express written consent of the Cannery Hall. By presentation of this ticket for admission to Cannery Hall, the person presenting this ticket waives all action or claims against Cannery Hall and the agents, employees, and the subcontractors of all the indemnities for bodily injury or property damage caused by or at the event or by the actions or inactions of Cannery Hall. The holder of this ticket voluntarily assumes all risk danger of personal injury and all other hazards arising from or related in any way to the event for which the ticket is issued, whether occurring prior to, during, or after the event. Breach of any of the foregoing will automatically terminate this license. This holder grants permission to Cannery Hall and its licensees and agents to utilize the holder’s image or likeness incidental to any live or recorded video display or other transmission or reprotection in whole or in part of the event to which this admits the holder. Tickets obtained from sources other than Cannery Hall Box Office or any authorized ticket outlets may be lost or stolen ticket sand in such case will subject the bearer to non-admission or expulsion from the venue. All events subject to date fan time change. No refunds, exchanges, or cancellations. Cannery Hall reserves the right to refuse admittance (with refund of admission) to ticket holders who refuse to allow inspection of their person, or any purse or package carried by them when entering Cannery Hall. No alcohol, drugs, bottles, cans coolers, baby strollers, infant carriers, air horns, fireworks, frisbees, beach balls, video and audio devices, laser pointers, flash cameras, food beverages, weapons or dangerous devices of any type may be brought into Cannery Hall. Patrons found in possession of contraband materials may be subject to expulsion to Cannery Hall and or confiscation of items. Smoking is not permitted. Every person must have a ticket to enter Cannery Hall.