Gary P. Nunn with special guest Katrina Cain
Gary P. Nunn
Gary P. Nunn has been TAKING TEXAS TO THE COUNTRY and Texas country to the world for some 40 years now, establishing himself as an icon of Lone Star music. A founding father of the progressive country movement out of Austin in the 1970s that changed the face of popular music, Nunn is also an independent music pioneer who continues to oversee his own record label and song publishing companies, manage his own career (with the help of his wife Ruth), and play most every weekend at top music venues throughout Texas and beyond. His composition “London Homesick Blues” — with its internationally known “I wanna go home with the Armadillo” chorus — is a signature Texas country song that was the theme for the PBS concert TV show “Austin City Limits” for nearly three decades. It’s no wonder that All Music Guide hails him as “a Texas music institution.”
And now on TAKING TEXAS TO THE COUNTRY, Nunn continues to musically progress while staying true to his roots. It’s something of a travelogue in song that begins with a cosmic cowboy trip back to a love that once was on “Deja Vu,” and later visits a sorrowful “Denver” and a Cajun fais do do “Down To Louisiana,” plus takes a restful vacation along a “Mexican Boulevard,” and bops to a bit of Jamaican reggae on “It’s Not Love.” Longing for Texas travels the map on “One State of Mind,” while “Lonesome Lone Star Blues” tours the cities and towns of the Republic.
Along the way one meets a true Texan on “The Likes of Me” and a confirmed bachelor on “I’m Not That Kind of Guy.” Love is found just “A Two-Step Away,” and happiness comes every Friday night when “The Girl Just Loves to Dance.” The album finally wraps up with a message to Nashville about where country music still lives and thrives on the title tune, followed by the sweetly pleading closing devotional “The Rest of My Life.” And within its 13 tracks, Nunn and company touch on a spectrum of dance rhythms while the star of the show hits those emotional sweet spots throughout with his always warm and heartfelt singing
TAKING TEXAS TO THE COUNTRY was tracked at Cherry Ridge Recording Studio in Floresville by master C&W producer Tommy Detamore, whose pedal steel guitar is an instrumental highlight of the album along with the fiddle playing of Bobby Flores. It features three new tunes written or co-written by Nunn alongside numbers by writers like Johnny Divine, Levi Mullen, Steven Kundert, Michael Halvorsen and Gary’s brother Steve K. Nunn that he supports and promotes via his song publishing business. And the music arrives already “road-tested” by Nunn and his Bunkhouse Band. “If the band guys like a song and the audience responds to it, I’ll look for an opportunity to record it,” he explains.
“I’m still going strong and doing better than ever,” declares Nunn on the morning after he packed several thousand enthusiastic fans into The Hideout at the Reliant Astrodome to cap the first night of the Houston Livestock Show and Rodeo. “The guy that runs the place told me, ‘Well, this is gonna be the best night. The rest of the guys are gonna have a hell of a time trying to top this.’”
Born in Oklahoma, Gary P. Nunn found his heart’s true home in the Lone Star State after his family moved to West Texas when he was in sixth grade. In the town of Brownfield just outside of Lubbock, he was an honors student, excelled in athletics, and started his first band soon after arriving. When he landed in Austin in 1967 to study pharmacy at the University of Texas, he presaged the “cosmic cowboy” movement to come with one of Austin’s favorite bands, The Lavender Hill Express, with the late Rusty Weir. After Willie Nelson, Michael Murphey and Jerry Jeff Walker all moved to town, Nunn was such a pivotal figure on the scene that at one point he was playing bass with all three artists. His talents on keyboards and vocals were also heard on many of the legendary albums from that era.
When Murphey arrived in Austin in 1972, he immediately asked Nunn to help him put together a band. While in London recording Murphey’s Cosmic Cowboy Souvenir album, two key events occurred for Nunn. One day in his hotel room, wishing he were back in Texas, he wrote “London Homesick Blues.” As Nunn recalls, “I just wrote it to kill time, and as a humorous exercise in writing a country song. I never thought that anything would ever become of that song. No one is more surprised than me at what it became.”
At Abby Road Studio, he also met an English music publisher who at the time had 90 songs on the British Top 100. It inspired Nunn to start his own publishing company when he got back to Austin to funnel songs he liked by songwriters he knew to the artists he worked with as well as others.
Nunn was a key figure in The Lost Gonzo Band when they recorded Jerry Jeff Walker’s landmark ¡Viva Terlingua! album, on which “London Homesick Blues” was a breakout hit. During his time with Walker, Nunn recalls, “I was fortunate enough to have some good songwriters come my way, and I channeled some of their tunes to Jerry Jeff. And they became some of his more popular songs, even today. I seem to have always had a knack for finding a tune.” And Nunn’s own songs have always served him well, being recorded by stars like Willie Nelson (“The Last Thing I Needed, The First Thing This Morning”)which hit #2, Rosanne Cash (“Couldn’t Do Nothing’ Right”), which hit #15 on the country singles charts), David Allen Coe and many other artists.
After four years and six albums with Walker, The Lost Gonzo Band struck out on their own in 1977 to record three critically acclaimed major label albums. Then in 1980, Nunn went solo when the Gonzos called it a day, and he hasn’t looked back since.
He started his own label, Guacamole Records, and was finally the full master of his own musical fate. His unflagging popularity in and around the Lone Star State has kept the houses full for 30 years whenever and wherever he plays. And Nunn has also made numerous visits to Europe, where he’s considered a Texas musical legend. Along the way he has appeared on TV shows like “Austin City Limits,” “Nashville Now,” TNN’s “Texas Connection” and many others as well as on national broadcasts of Texas Rangers baseball games singing the National Anthem.
In 1985, Nunn relocated to a family farm he inherited in Oklahoma, running an 800-acre cattle ranch at the same time as his musical career. He established the Terlingua North Chili Cook-Off and Music Festival there, where now popular acts like Pat Green and Cross Canadian Ragweed played early in their careers. “It seems every time we had a young and upcoming band up there, it was like they hit a diving board and just sprung into the air,” Nunn notes. And within today’s thriving Texas and Red Dirt music scene, he’s a revered elder statesman to countless performers and songwriters who teethed and grew up on his music. “They’ve let me know I inspired them and showed them how it could be done.”
In addition to the many gold albums on which he has played and/or written and published songs, Nunn has earned a number of notable awards and honors over the years. He was named an Official Ambassador to the World by Texas Governor Mark White, and years later Governor Rick Perry also declared him an Ambassador of Texas Music. In 2004, he was inducted into the Texas Hall of Fame, and he is also honored in the West Texas Walk of Fame in Lubbock as well as the Texas Department of Commerce and Tourism’s roster of Lone Star Greats who are leaders in the fields of art, athletics and music. As well, the Oklahoma House of Representatives recognized Nunn for his contribution to the preservation of the unique Southwestern style of music.
“The thing I’m proudest of is being a member of the West Texas Walk of Fame in Lubbock with Buddy Holly, Waylon Jennings, Bob Wills and Roy Orbison — guys who were my heroes. To me that’s just the greatest thing,” he enthuses. “And then today, turning on Sirius/XM radio and hearing myself played next to Hank Williams, Hank Thompson, Willie Nelson and Johnny Bush. I’m just so proud and pleased to be there among them.”
For Nunn, who in 2003 moved back to the Austin area, the secret to all his continuing success is deceptively simple. “My focus has always been on the audience and showing then a good time, and perhaps they will take a little Texas pride home with them,” he explains. “What I’ve tried to do is incorporate the musical genres that are indigenous to Texas, along with some neighboring styles. My goal is to paint as much of a Texas picture as I can with the music and just immerse people in that culture. I think it’s great, and I just love it and want to promote it.”
And now, more than half a century since he first started playing music, Nunn enthuses, “I’m having more fun now than ever. It just feels good. When you have a great band behind you and the audience is out there on the dance floor, you just say, ‘Yeah! This the reason I got into this in the first place.’ I love it more than ever.”
Katrina Cain is an Austin-based artist and songwriter. Steeped in Americana, she aims to use her blooming writing voice to answer the question: what defines belonging?
Katrina’s own journey has unfolded on both coasts and in the American southwest. A native Texan, she was born in Dallas, raised in a small New England town, and has moved over 20 times. When asked where she’s from, the response of “Dallas born, Yankee bred” is the easiest way to answer. Since returning to her Texas roots, she has called this state home longer than any other place, and intends to stay for good this time.
Katrina Cain’s music has been described as many genres from melancholy pop, to country, to folk. Simply put, she’s a singer-songwriter. She is most known for her stand out performances on Season 15 of NBC's The Voice, beginning with her haunting arrangement of Fleetwood Mac's "Rhiannon".
Katrina’s music brings the listener on a journey that breaks the barriers of genre: sweet, soulful vocals and luscious dreamscapes, swinging between soul breaking singer-songwriter ballads, and honky tonk country anthems. In her quietest moments, Katrina’s pop sensibilities make room for her authentic tales of Americana. Never one to skimp on lyric, Katrina's artful storytelling bears more of the human experience than just a heartbreak like the one before.