Bitch Cabal feat. Mannequin Pussy & Wednesday
Mannequin Pussy, Wednesday, Snooper
Date
Tuesday
November 17, 2026
Time
Location
Gate 52 PRESENTS
Mannequin Pussy & Wednesday
November 17th, 2026
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Announce: Tuesday, June 23 @ 11AM CT
Artist Presale: Wednesday, June 24 @ 10AM CT - passcode required
Presale: Thursday, June 25 @ 10AM CT - passcode required
All Presales End: Thursday, June 25 @ 11:59PM CT
Presale: Thursday, June 25 @ 10AM CT - passcode required
All Presales End: Thursday, June 25 @ 11:59PM CT
On Sale: Friday, June 26 @10AM CT
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Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard.
Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass,
vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Missy Dabice
(guitar, vocals) has made cathartic tunes about despairing times. “There's just so much
constantly going on that feels intentionally evil that trying to make something beautiful feels like
a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.”
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Bleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style
triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly
Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their
own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both
rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential
‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has
sharpened its trademark sound, how they’ve refined the formula that makes them one of the most
interesting rock bands of their generation. “This is what Wednesday songs are supposed to sound
like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”
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Wednesday and Mannequin Pussy have partnered with PLUS1 so that $1 per ticket goes to supporting organizations working for equity, access, and dignity for all. www.plus1.org
__________________________________________
Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard.
Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass,
vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Missy Dabice
(guitar, vocals) has made cathartic tunes about despairing times. “There's just so much
constantly going on that feels intentionally evil that trying to make something beautiful feels like
a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.”
__________________________________________
Bleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style
triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly
Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their
own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both
rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential
‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has
sharpened its trademark sound, how they’ve refined the formula that makes them one of the most
interesting rock bands of their generation. “This is what Wednesday songs are supposed to sound
like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”
__________________________________________
Wednesday and Mannequin Pussy have partnered with PLUS1 so that $1 per ticket goes to supporting organizations working for equity, access, and dignity for all. www.plus1.org
