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Ocie Elliott

Ocie Elliott pen tunes that feel lived-in. You can hear their memories, experiences, and emotions in the dusty acoustic guitars, the sparse production, and the graceful harmonies between Jon  Middleton and Sierra Lundy. Their life together plays out in the music as if projected on the big  screen of an old small-town theater. Generating tens of millions of streams, earning a JUNO  Award nomination, and inciting the applause of American Songwriter, CBC, PopMatters,  Atwood Magazine, Exclaim, and many more, both of their spirits shine like never before on their  2022 EP, What Remains [Nettwerk Music Group]. 

“Since we spend so much time together, our life becomes our songs,” observes Sierra. “We play  off each other really well. One of us will start playing around, and the other will join in. We fuel  one another in a way we normally wouldn’t be fueled by ourselves. We think differently when  we’re together.” 

“Sierra makes me a better songwriter,” Jon agrees. “She makes me want to try different things  and experiment with melody. She pushes me to use new words and phrases.” 

Their interplay borders on magical, and it continues to entrance audiences. Ocie initially  emerged with EP in 2017. The single “I Got You, Honey” has amassed over 13 million Spotify  streams and counting. Meanwhile, their music appeared multiple times in Grey’s Anatomy in  addition to a sync on NETFLIX’s Sweet Magnolias, among others. Following 2019’s We Fall In,  their 2020 In That Room EP yielded the fan favorite “Be Around,” which eclipsed 10 million  Spotify streams. Remaining prolific during 2021, they unveiled the Slow Tide EP and A Place EP. Of the latter, Exclaim! praised, “Each track is a direct invitation to the listener; six strings  tugging on the heart,” and PopMatters attested, “The folk duo create another collection of  sweetly understated music.” Along the way, they toured with Joshua Radin, Sons of The East,  Kim Churchill, and Hollow Coves. During 2022, they garnered a nomination at the JUNO  Awards in the category of “Breakthrough Artist of the Year,” marking their first nod. 

Ocie Elliott composed What Remains during a series of writing retreats, holing up in Whistler  and Sierra’s hometown of Salt Spring Island. In the midst of the process, Sierra’s dad was  suddenly diagnosed with cancer. 

“We had one last month with him,” she recalls. “We were able to play these songs live for him in  his final days. I think it helped us. He was the reason I started playing music to begin with and 

encouraged me to get piano lessons as a kid. My dad was the kind of guy who picks up any  instrument, plays it, and makes it sound good.” 

“Playing those songs for him was one of the most powerful things I’ve ever gone through,” Jon  exclaims. “When he was listening, he was fully immersed. It was a beautiful experience for us.” 

On the first single “My Everything,” lightly plucked acoustic guitar (tuned to Drop-D for the  first time) underlines a soft call-and-response from Jon and Sierra. It builds towards a tender  assurance, “You’re my everything.” 

“My dad actually kept saying during this time, ‘You’re my everything,’ to me,” recalls Sierra.  

Then, there’s the starkly intimate “Baby, You Know.” Infused with the bliss of a relationship’s  unshakable security punctuated by soft keys, it unspools as “a pretty simple love song.” The title  track “What Remains” hinges on a gently strummed melody as Sierra’s soft timbre gives way to  a shared harmony on the piano-laden refrain. 

“To me, this music feels like the remains of going through something heavy, or the aftermath of  strong emotion,” Sierra observes. “It ties the EP together because what remains is everything we  experienced during this time.” 

In the end, What Remains is a batch of honest and heartfelt anthems. 

“Since we’ve been through so much, all of these songs are so powerful to us,” Sierra leaves off.  “They’re simple, but they hold so much truth. I hope it translates to people.” 

Joshua Hyslop

Joshua Hyslop is a modern folk musician, an amalgam of influence in the classically romantic tradition of Damien Rice, Iron and Wine, and Sufjan Stevens. Like the said ballyhooed folksters before him, Joshua is inspired to write largely as a result of the people and relationships surrounding him, while also subjecting his songs to his own vulnerabilities, doubts, and conflicts. He integrates these revelations with his agenda of lyrical candidness, creating an expressive and open artform.

With all of Joshua's ability and potential, what really sets him apart is his faultless ability in the live venue. Josh will silence the crowd with his soft, and consistently pitch perfect vocal control while unintentionally making you fall in love with him for being a 'good guy'. Considering the idiosyncratic confluence of ability he boasts, it is fair to say that Joshua spins a web of charm that makes him inimitably great.