Melissa Carper and Jaime Wyatt
Melissa Carper
Celebrated for her profoundly observational lyrics, her “homespun sensibility,” and a voice that curls like a croon from a gramophone, Melissa Carper plays old school country music that resonates across time and place. Carper’s repertoire weaves together the threads of old-time, bluegrass, western swing, jazz, and blues that all intertwined to form American country music, back in the days before the recording industry drew artificial lines and slapped on race-based genre labels. Veteran Nashville musician Chris Scruggs highlighted Carper’s versatile traditionalism when he dubbed her “HillBillie Holiday,” declaring, “She’s as good as it gets. She has a quality that really transcends time and fashion.”
Melissa Carper’s childhood in North Platte, Nebraska, was filled with country music. She has fond memories of lying on the living room carpet with her head under the family stereo console, listening to her parents’ beloved Hank Williams and Loretta Lynn albums. From an early age, the Carper siblings sang gospel music together at churches and retirement homes, and when the kids were old enough for instruments, their mother organized them into a country band. Having taken up upright bass in 4th grade, 12-year-old Melissa naturally became the electric bassist. A childhood playing country music until midnight on the circuit of Nebraska’s rural Elks, Eagles, and American Legion halls may have been out of the ordinary, but she reflects that “my parents were dreamers and they believed in all of us and our musical abilities.” Her high school band director, himself a bassist, was another mentor, and with his encouragement, she attended the University of Nebraska at Lincoln on a classical music scholarship.
Drawn more to gigging and to the jazz and blues recordings she discovered in the university’s library, Carper left school for Eureka Springs, Arkansas. Years of honing her craft as a busker in this cultural hub of the Ozarks deepened her devotion to country music, as did subsequent stints in the music meccas of New Orleans, New York, and her new hometown of Austin, Texas. Melissa Carper’s acclaimed debut solo album, Daddy’s Country Gold (2021), is something of a greatest hits album born of those formative years, and her subsequent recordings Ramblin’ Soul and Borned in Ya proved the staying power of her playful and profound songwriting.
Deep connections with other artists are essential to Carper’s success--her musical journey includes membership in beloved bands like the Camptown Ladies, Wonder Women of Country, The Carper Family, and Sad Daddy. Musical partnerships were the driving force behind two new 2025 releases, each highlighting not just Carper’s mastery of the genre but her willingness to step into a musical adventure in the company of good friends. First out of the gate are two new singles penned with her new pal Theo Lawrence, a native of Paris (France, not Texas). Released by Warner with hints of more music to come, “All Fifty States” and “Dat Ain’t Right” showcase two great songwriters
exchanging playful banter with catchy, vibrant melodies. Then, just in time for the holidays, a Christmas album drops from Soundly/Thirty Tigers. Inspired by pal Ben Kitterman, who told her his family plays Daddy’s the whole month of December each year, Carper set to work writing. Collaborating with wordsmith Gina Gallina, a buddy since their days busking in New Orleans, A Very Carper Christmas spins out a raft of instant holiday classics recorded with a bevy of friends and, in honor of Melissa’s mother, a very tasty cheeseball.
Melissa Carper is a musical traditionalist for the modern age. “Melissa’s songs all come from the heart. She don’t blow smoke,” says musical co-conspirator Gallina. Carper’s unassuming yet unapologetic queerness, combined with her experiences wandering and finding a new home in diverse communities, reinforced her innate ability to channel into her songs the beauty, struggles, and humor of everyday life—a key component of the best kinds of country music. This deeply humanitarian impulse also drives her efforts to build the Natural State of Being Farm, a small-home community in Arkansas (The Natural State) designed to combat homelessness and support recovery. It also comes through loud and clear in her riveting stage shows and her growing body of essential country songs. "It's a tricky thing that Carper has done,” declares roots journal No Depression. “[She’s] carefully preserving the sense of romance and immediacy of the old classics. Yet by bringing her own experiences into the canon, she is unearthing a history that includes so many more of us, finally allowed to speak out through memories forgotten due to silence and taboo."
JAIME WYATT
Pitchfork once called me “one of the most exciting and skillful storytellers” working today. It feels weird to write down about myself but I don’t take it lightly, because my life has given me stories I never imagined I’d tell.
I grew up on the West Coast, a kid in boots making up songs before I could write them down. Music carried me through early career highs, brutal lows, addiction, and nearly a year in the Los Angeles County jail. When I wrote my first record, Felony Blues, I was turning survival into song. When I found sobriety, I started to unpeel the layers of myself, my queerness, my gender identity, and my own voice which lead to Neon Cross, a record that opened the door wider than I’d ever allowed before.
My most recent work, Feel Good, is about healing and freedom. I wanted to challenge the boundaries of what country was to me, to bend it around soul, groove, and psyche, while still staying rooted in storytelling. For me, I never want to fit a mold, it’s about making space for outliers, for queer love, for joy, for resilience.
This is the journey I’m on - to heal, to use any means I can to stand up for those I love, live honestly, write fearlessly, and keep singing until all the stories are out of my being. If that speaks to you, you are welcome here.
JAIME WYATT
Pitchfork once called me “one of the most exciting and skillful storytellers” working today. It feels weird to write down about myself but I don’t take it lightly, because my life has given me stories I never imagined I’d tell.
I grew up on the West Coast, a kid in boots making up songs before I could write them down. Music carried me through early career highs, brutal lows, addiction, and nearly a year in the Los Angeles County jail. When I wrote my first record, Felony Blues, I was turning survival into song. When I found sobriety, I started to unpeel the layers of myself, my queerness, my gender identity, and my own voice which lead to Neon Cross, a record that opened the door wider than I’d ever allowed before.
My most recent work, Feel Good, is about healing and freedom. I wanted to challenge the boundaries of what country was to me, to bend it around soul, groove, and psyche, while still staying rooted in storytelling. For me, I never want to fit a mold, it’s about making space for outliers, for queer love, for joy, for resilience.
This is the journey I’m on - to heal, to use any means I can to stand up for those I love, live honestly, write fearlessly, and keep singing until all the stories are out of my being. If that speaks to you, you are welcome here.
