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Beach Fossils

The long-awaited return of Brooklyn’s Beach Fossils, Somersault showcases a band in bloom. Charting into new musical territory with a refined songwriting style, it’s an album that captures flashes of life in New York grounded in personal experience.

Orchestral pop gem “Saint Ivy” shines with plucked strings, buoyant basslines and a propulsive, wayward, guitar. “Tangerine,” a driving, tightly wound melody, rushes forward and briefly leaves the ground due to the gossamer guest vocals of Slowdive’s Rachel Goswell. The effervescent “Rise,” which hinges on the spoken word of Gavin Mays (Cities Aviv) discussing a failed rela-tionship, hangs, like many recent breakups, in a sense of suspension. The cloudy, wistful “Soci-al Jetlag,” bustling with samples of crowded streets, features the type of candid, off-the-cuff lyr-ics that make the entire effort immediately illuminating.

Recorded at multiple studios across New York City, a cabin in upstate New York, and even Los Angeles (including the home studio of Jonathan Rado of Foxygen, who helped engineer part of the album), Somersault turns the newfound chemistry between the trio into a sonic tapestry. Due to the variety of sessions and recording locations, the album was a Frankenstein-like series of reworking and reimagining songs. As the group pieced together different parts in a cycle of creation and cooption, and built out more elaborate songs track by track, the process became more reminiscent of a record created via sampling and arranging than one built by simply grind-ing out riffs. The long-simmering album, filled with breezy music both melancholic and uplifting, sees the band channeling their voices and honing their craft.

Flowing between shimmering compositions and immersive soundscapes, Somersault evokes the laid-back mood of a warm, breezy city night, the air crackling with humidity and excitement. These songs pulse and pull, capturing a blend of promise and heartache. It’s beautiful and lay-ered, a refined, sweeping creation that threads together numerous styles, textures, and themes into a refreshing, singular vision.

 

Wild Nothing

“Our technology, our machines, is part of our humanity. We created them to extend ourselves, and that is what is unique about human beings.” – Ray Kurzweil

Although civilization’s transition into a cyborg world seems inevitable, there are still those who recognize the beauty and power of a human touch to complement the circumvention. Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic—but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of PauseIndigo finds Tatum at his most efficient, calculated, and confident—resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.

 

RESOUND PRESENTS OFFICIAL COVID-19 POLICY:


● Proof of a negative COVID-19 PCR test result will be required to attend all Resound shows. The negative test result must be obtained within 72 hours (3 days) of the event.
● Patrons who are fully vaccinated may show proof of full COVID-19 vaccination instead of proof of negative test. A person is considered fully vaccinated 14 days after the second shot of Pfizer / Moderna or single shot of J&J.
● We are also requiring masks to be worn indoors at all venues, and when not eating or drinking.

Please note that vaccination is not required to attend Resound shows. Upon entry to the venue for each show you are required to present:

• A negative COVID-19 PCR test result obtained within 72 hours (3 days) of the event
OR

• Your vaccine card
• A clear and legible photocopy of your vaccine card
• Photo of your vaccine card on your phone
• A digital vaccine passport or record

We also ask that you not attend any event if any of the following is true for you or anyone in your party:

● Within 14 days before attending the event you have tested positive, or been exposed to someone who has tested positive for, COVID-19;
● Within 48 hours prior to attending the event, you have experienced symptoms of COVID-19 (e.g., a fever of 100.4F or higher, cough, shortness of breath or difficulty breathing, chills, repeated shaking muscle pain/achiness, headache, sore throat, loss of taste or smell, nasal congestion, runny nose, vomiting, diarrhea, fatigue or any other symptoms associated with COVID-19 identified by the Centers for Disease Control and Prevention)
● Within 14 days prior to attending the event, you have travelled to any international territory identified by federal or applicable state or local governments as being subject to travel or quarantine advisories due to
COVID-19.


If you have questions about the COVID-19 vaccines or need resources to find a vaccination location near you, please check out www.vaccinefinder.org.


REFUND INFORMATION:
If you are unable to comply with Resound’s COVID-19 policy, you may request refunds for any show within the next 30 days (before Sept 30th). For shows that are scheduled to take place in September, you may request refunds until 48 hours (2 days) prior to the show.Please request refunds directly through your ticketing provider (i.e. Eventbrite, See Tickets, Prekindle, etc.) The only shows that we are unable to accept refunds for are Big Freedia on 10/4 at Mohawk and 10/6 at Paper Tiger, as the COVID-19 policy for that artist was previously announced and that refund window closed on August 26th.
Please request refunds directly through your ticketing provider (i.e. Eventbrite, See Tickets, Prekindle, etc.)