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Hayes Carll with special guest Jade Jackson

Hayes Carll, Jade Jackson

Buy Tickets
$26.00 to $44.00
Date
Sunday
November 24, 2019
Time
Doors 7:00pm
Showtime 8:00pm
Kitchen 6:00pm
Location
The Heights (map)
339 W 19th St.
Houston TX 77008

Hayes Carll - What It Is
 

The chorus to the title track on the new Hayes Carll album, What It Is, is a manifesto.

What it was is gone forever / What it could be God only knows.

What it is is right here in front of me / and I’m not letting go.

He’s embracing the moment. Leaving the past where it belongs, accepting there’s no way to know what’s ahead, and challenging himself to be present in both love and life. It’s heady stuff. It also rocks.

With a career full of critical acclaim and popular success, Carll could’ve played it safe on this, his sixth record, but he didn’t. The result is a musically ambitious and lyrically deep statement of an artist in his creative prime.

Hayes Carll’s list of accomplishments is long. His third album, 2008’s Trouble In Mind, earned him an Americana Music Association Award for  Song of the Year (for “She Left Me for Jesus”). The follow-up, KMAG YOYO was the most played album on the Americana Chart in 2011 and spawned covers by artists as varied as Hard Working Americans and Lee Ann Womack, whose version of "Chances Are" garnered Carll a Grammy nomination for Best Country Song. 2016’s Lovers and Leavers swept the Austin Music Awards, and was his fourth record in a row to reach #1 on the Americana Airplay chart.  Kelly Willis and Kenny Chesney have chosen to record his songs and his television appearances include The Tonight Show, Austin City Limits, and Later w/Jools Holland. Carll is the rare artist who can rock a packed dancehall one night and hold a listening room at rapt attention the next.

“Repeating myself creatively would ultimately leave me empty. Covering new ground, exploring, and taking chances gives me juice and keeps me interested.”

He knew he wanted to find the next level. On What It Is, he clearly has.

It wasn’t necessarily easy to get there. Carll’s last release, 2016’s Lovers and Leavers was an artistic and commercial risk — a bold move which eschewed the tempo and humor of much of his previous work. The record revealed a more serious singer-songwriter dealing with more serious subjects — divorce, new love in the middle of life, parenting, the worth of work. What It Is finds him now on the other side, revived and happy, but resolute — no longer under the impression that any of it comes for free.

“I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work.”

And meaning there is. Carll sings “but I try because I want to,” on the album’s opening track, “None’Ya.” He’s not looking back lamenting love lost, rather, finding joy and purpose in the one he’s got and hanging on to the woman who sometimes leaves him delightedly scratching his head. “If I May Be So Bold,” finds him standing on similar ground

— lyrically taking on the challenge of participating fully in life rather than discontentedly letting life happen.

Bold enough to not surrender bold enough to give a damn

Bold enough to keep on going or to stay right where I am

There’s a whole world out there waiting full of stories to be told

I’ll heed the call and tell’em all if I may be so bold

There’s no wishy washy here and he’s not on the sidelines. In fact, he’s neck-deep in life. On the rambunctious, fiddle-punctuated, “Times Like These,” he laments political division in America while delivering a rapid-fire plea to “do my labor, love my girl, and help my neighbor, while keeping all my joie de vivre.” Carll’s signature cleverness and aptitude for so-personal-you-might-miss-it political commentary is as strong as ever. The stark, “Fragile Men,” co-written with singer-songwriter Lolo, uses humor and dripping sarcasm to examine his gender’s resistance to change in less than three minutes of string-laden, almost Jacques Brel invoking drama. It’s new musical territory for Carll, and the result is powerful. His voice is strong and resonant on these songs, and it’s thrilling to hear him use it with a new authority. He is alternately commanding and tender, yet always soulful.

Carll returned to trusted producer Brad Jones (producer of 2008’s Trouble in Mind and 2011’s KMAG YOYO) and Alex the Great Studio in Nashville, Tennessee, to record What It Is, and recruited singer-songwriter, author, and fiancee Allison Moorer as co-producer. The production is adventurous while keeping the focus on the singer and his songs and providing a path for him to go where he wants to go. Where that is, is forward.

That’s evident in the songwriting. Carll continues to hone his singular voice, but is also a flexible co-writer. Matraca Berg, Charlie Mars, Adam Landry, and Moorer have co-writing credits here, but it was Moorer’s inspiration that provided the largest impact.

“On the songwriting front she’s just a pro. She helps me cut through the noise and she does it with wit and style.”

Carll’s own wit and style has never been more evident. Whether it’s with the put-you-in-picture detail of, “Beautiful Thing,” the not quite sheepish enough, dude-esque defense of dishonesty in, “Things You Don’t Wanna Know,” or the strong as a tree trunk declaration of love on, “I Will Stay,” he displays an increasing command of his poetic lexicon.

Writers most often wrestle with experience and expectations, either romanticizing the past or telling us how good it’s going to be when they get where they’re going. What It Is is a record that is rooted solidly in the present, revealing an artist in the emotional and intellectual here and now.

On Jade Jackson’s second full-length album, Wilderness, she casts a light more focused on her own life than ever before. Available now via ANTI- Records, Wilderness – like her debut record Gilded - was produced by Mike Ness, the SoCal punk rock legend has carefully helped her hone her craft and sound.

Gilded (2017) was a masterful, critically acclaimed introduction to her strong soulful stylings as told through the eyes of characters and storytelling, with Jackson keeping any hyper-personal glimpses at arm’s length. But for its follow-up, the singer-songwriter from the Central Coast of California decided to embrace the concept of building her songs from an autobiographical perspective.

Two days after her 20th birthday Jackson was hiking in nearby Sand Canyon when she leaped from a rope swing and fell 15 feet onto a rock – she sustained serious injuries and wasn’t sure if she’d be able to walk again. As she recovered, she realized she was depending more and more on prescription painkillers and after stopping cold turkey by destroying her prescription refills and flushing the remaining pills, her body and brain spiraled into depression. She also developed a control-related eating disorder that would haunt her for several years following. Jackson refers to her mind state during that time as “suicidal.”

“Needless to say, for the first time since I had written my very first song, I didn’t believe in my music anymore,” Jackson says. “Because of my depression I didn’t like myself, so I couldn’t possibly imagine someone else liking what I created. But even that couldn’t stop me from writing, and songwriting remained my therapy through it all.”

The theme of her new work deals heavily with those attitudes and feelings while focusing largely on other true encounters and relationships in her real life. Wilderness is a powerhouse of a record about the in-betweens and stepping stones we dwell in and leap across while coming to terms with our senses of self, and how melancholy can be a powerful weapon to wield—especially in the form of a roots-rock or country song. With Wilderness, Jade Jackson has braved the depths of her soul and figured out a course for survival—though she will be the first to admit that her journey still has miles to go.

Wilderness as the title of my album is this in-between area I’m in right now as a musician. It’s the unknown—like when we’re touring, you don’t know where you’re gonna play, or sleep, what you’re gonna eat, if you’ll have monitors…there’s so much unknown at this grinding stage in the game. I am incredibly thankful for the way my career has started, but I’ve always had this urge propelling me forward. I know where I want to go—I can visualize it—but right now I’m walking through the wild, still picking up tools, still learning, and making my way.”

All Ages