Ally Venable and Walter Trout
Ally Venable
Texas blues-rock singer/songwriter and guitarist extraordinaire, Ally Venable, entertains wherever she goes. With her signature glitter dresses and black knee-high boots, Venable comes off of the ropes swinging dazzling crowds on tour or throughout the festival circuit. "Venable pulls off a stunner of gritty and/or sultry blues rock tunes embellished with lots of tasty guitar solos." - Guitar Player Magazine. A Kilgore, Texas native, Ally began singing at church at four and picked up the guitar at age 12. By 13, she started her own band and through her early influence of Stevie Ray Vaughan captured the passion and yearning for more in the blues genre. Early releases No Glass Shoes (2016) and Puppet Show (2018) started her fanbase, charting radio play, and several East Texas Music Awards. It was 2019’s #2 Billboard Blues charting Texas Honey and rocking sets on Ruf’s European Blues Caravan tour that propelled her internationally. “Ally is the future of blues and the crossover music of American roots-rock.” - Mike Zito. In what silenced many musicians during the pandemic, Venable now in her 20’s, released another Blues Billboard charting album, Heart of Fire (2021), which challenged her to write not only about love but the unguarded honesty of feeling pain.”On this album,I really wanted to create a tone of overcoming your struggles and persevering through them,” she explains. Mentor and featured artist on this album, Kenny Wayne Shepherd, lends his guitar skills on XM Bluesville’s charted song, “Bring on the Pain.” In 2022, Guitar World Magazine named Ally #2 on the top 15 Young Guns Making the Gibson Les Paul Cool Again, and she received the Road Warrior award from the Independent Blues Music Awards. Along with Ally’s own tour domestically and in Europe, her band has supported Buddy Guy and Kenny Wayne Shepherd throughout the US, as well as Colin James in Canada. She has performed as a featured artist on the Experience Hendrix Show at the ACL Live at Moody Theater in Austin, Texas. Fans are anticipating Venable’s upcoming spring 2023 release produced by Grammy award winning producer, Tom Hambridge, which includes a duet with the iconic Buddy Guy and a song featuring powerhouse guitarists Joe Bonamassa.
Walter Trout
Great artists take the pulse of their times. In his half-century as a street-level social observer and scaldingly honest songwriter, blues-rock’s resilient icon Walter Trout has never told his fans what to think, how to feel, where to stand politically, or what to scrawl on their protest placards. But in an era when his home nation – and the wider world – is ripping at the seams over the battlelines of modern life, the iconic US bluesman’s hard-rocking new album, Sign Of The Times, is the primal scream and pressure valve we all desperately need. “I wanted to convey the anger and angst going
on in the world,” explains the 74-year-old. “For me, writing these songs is therapy. They’re not just about what’s happening out there, but how it affects you in your head. Sign Of The Times just became the obvious title…”
Right now, it feels like the amps have barely cooled from 2024’s Broken (“That record debuted on Billboard at #1 – I was very, very pleased with that”). But the era-chronicling songs from Sign Of The Times wouldn’t wait, these urgent riffs flying off the guitarist’s fingers, assisted once again by Dr Marie Trout, Walter’s wife, manager and latterly co-writer, whose eloquent lyrics struck each subject on the head. “This album flowed pretty easily,” he reflects of the writing process. “I had so many song ideas and pages of lyrics from Marie. We could have kept going and made a triple album.”
With ten new songs written and arranged, Trout was ready to call up his studio band – longtime drummer Michael Leasure, bassist John Avila and keys man Teddy ‘Zig Zag’ Andreadis – for sessions at producer Thomas Ross Johansen’s Strawhorse Studios in Los Angeles. Immediately, the tinderbox subject matter sparked one of the toughest-sounding records in his catalogue. “Let me put it this way,” considers Trout, “after we finished recording the title track, my keys player Teddy said, ‘Well, you won’t be winning a blues award this year’. But I really felt like rocking on this album. We had
heavy things to talk about, and we went for it musically too.”
