Cory Morrow: "The Man I've Been" 25th Anniversary Tour with special guest Scotty Alexander
Cory Morrow
Happiness has always come naturally to Cory Morrow. With his rollicking, soulful, feel-good Texas country, he has made thousands jump on tabletops, shimmy, scream, and suspend worries for almost two decades, like a honky-tonk pied piper––and he shows no signs of stopping. But these days, Morrow is also devoted to something more.
“I’ve always been able to find happiness and help others find happiness,” he says. “But there’s a difference between happiness and joy. Now, I feel like there’s a deeper sense of joy that’s not circumstantial.”
That deep joy courses throughout The Good Fight, released June 16, 2015. The 15-song collection was recorded at East Austin’s 12th Street Sound and polished at the Zone Recording Studio in nearby Dripping Springs, Texas. Reflecting on the process from his home in Austin, Morrow says, “I want it to be right. Looking back on other albums, I feel like I’ve settled on certain things. And this time, I really don’t want to settle.”
Listening to The Good Fight, it’s immediately clear that this is a record brimming with guts, truth, and growth––not compromises.
Morrow sings hard, proving his smooth, fiery drawl has only gotten better with age. The music revels in a life full of love and purpose, drawing on gritty rock, thumping gospel, and Morrow’s signature juke-joint country. Many of the songs address faith and relationships, both human and holy, with urgency, gratitude, and wonder. “I think there has always been a thread of spirituality in everything I’ve done––I’ve always been searching for something more,” he says. “But in the last five or six years, I’ve started to actually find it. And in the last three or four years, I’ve begun to come into really deep contact with it––to walk in it.”
As a songwriter, Morrow has retained his token wit and self-deprecating humor, two traits that play well with the album’s loftier themes. His circle of collaborators continues to expand: Nashville aces Brian Keane and Mando Saenz, along with Texas troubadours such as Carter Beckworth, joined an existing cast of favorites that includes the sagacious Owen Temple.
Written with Keane, “I Don’t Mind” captures the bliss of submitting your will to that of a higher power with piano-fueled, tent-revival panache. “I love the way that it speaks and the truth that it speaks,” Morrow says of the song.
Another track that Morrow tackles with a gospel-worthy aplomb, “Dreams” was penned with friend Matt Davis, who runs beloved Tomball, Texas venue Main Street Crossing. “I think we’re all dreaming to do more,” he says. “I find my dreams changing. They’re getting bigger in that they’re focusing less on me and more on what I can do for others. And that can be a really scary concept for me, because I’ve spent most of my life doing for myself––and that was pretty easy. And pretty fun,” he says, laughing.
When asked what “doing for others” looks like for him, Morrow doesn’t hesitate: “Serving. It’s little things all the time.” He mentions his band, and the urge to care for them as people and friends. He brings up his wife, Sherry, and his dedication to her, as well as their shared commitment to supporting organizations such as the Salvation Army in new, concrete ways. “It’s looking around my community and just seeing where there’s loss or grief or suffering. Is there any way I can be there for somebody?” he says. “Even if it’s for me to just be in the room, quiet and available.”
His newfound dedication to seeking out hurt and need around him emanates throughout the album. “In and Out of Light” explores the ideal balance between consistency and change, and serves as a call to see the downtrodden we so often choose to overlook. He sounds a similar cry on the soaring “Let Us Love,” a chest-pounding anthem pleading for open hearts, and “Hiding Anything,” in which he encourages listeners to “fall into arms that you can’t see.”
“Old Soul” is signature Morrow, gleefully mixing profound and silly to create a song that’s introspective, enlightening, and playful. “I’m an old soul, searching for a new way to rock and roll,” he sings over a flush band with standout guitar and Hammond B-3. A jubilant rock breakdown pays homage to early Morrow heroes like Led Zeppelin, and it’s clear he’d be hard-pressed to have more fun.
Pickup lines are turned on their head in “Old with You” as Morrow celebrates settling down. He penned the poignant “Little Man” for son Bear, his oldest. A four-year-old, two-and-a-half-year-old, and six-month-old twin boys fill his house with a different kind of crazy these days, keeping the Morrows perpetually on their toes.
Morrow laughingly refers to “Running After You” as his “blanket song”––a song that covers all of his boys. “It’s the idea that they’re each individually unique and beautiful in their own way, but all loved exactly the same,” he says. In the vein of “Love Without End, Amen,” written by fellow Texan Aaron Barker and immortalized by George Strait, “Running After You” is a masterfully delivered ode to fatherly love, both earthly and divine. “I want my sons to know that truth and love from the moment that they can actually speak so that when they get older, it won’t be such a far distance from them to travel––to come back home,” he says.
When asked if love serves as a unifying theme for The Good Fight, Morrow brings up the parable of “The Prodigal Son,” and the story’s precarious conclusion: Does the angry, older son ultimately follow his father into the party to celebrate his lost brother’s return?
“I think that’s what the record is for me,” Morrow says. “Everybody is the prodigal son––they’ve gotten lost and experienced love and redemption. And everybody is also very jealous of anybody else who’s gotten the kind of love they think they deserve. I think that the point of that story is that love is there, no matter what. You can’t earn it, you can’t make it greater, and you can’t do anything to make it smaller.” He pauses before adding, “Yeah. I’d love for the record to be about that kind of love. Perfect love.”
Scotty Alexander
Scotty Alexander...who makes his home in Wimberly, TX, is veteran singer, songwriter and recording artist that has over 10,000 live shows to his credit as a solo or supporting act for artists including Wayne Newton, Neal McCoy, Easton Corbin, Wade Bowen, Cory Morrow, Roger Creager, Shenandoah, Brian White, Cody Johnson, Cody Jinks, Sundance Head, Kevin Fowler and more.
Scotty is a world class studio musician on fiddle, guitar, banjo, bass and has performed since the age of 6 when he released his first vinyl record "HERE I COME WORLD". In the years that followed Scotty appeared on Star Search and performed with his band at nightclubs and fairs all through his teenage years. Scotty's early years also took him to Texas where he performed with Mickey Gilley several times at the original Gilley's in Pasadena, TX. In 1994 he moved to Las Vegas to co-host in an award winning production show called "Country Tonight." In 1999 Scotty went to work for the legend Wayne Newton. He played guitar, fiddle banjo and mandolin on stage and eventually became Mr. Newton's music director until 2007.
"It was an education I couldn't have paid for... all those years with Mr. Newton. He truly was like a dad to me. All the USO shows all over the planet plus the TV and movie work we did. I will forever be grateful..." SA
Scotty and his wife Lisa were offered their own show which they headlined for several years in Las Vegas before moving the family to Nashville.
While in Nashville, Scotty was signed by Ray Hamilton to Merf Publishing as a writer/artist and worked for Brian David Willis as a ProTools editor on many big records, including Brad Paisley, Blake Shelton, Darius Rucker, Josh Turner, Carly Pearce, and many more. In 2013-14 Scotty was music director for Hollywood recording artist and ABC's "Pretty Little Liars" star, Lucy Hale. Making TV appearances on Ellen, Good Morning America, Kelly and Michael and the Grand Ole Opry.
For the last couple years Scotty has been writing and performing all over the Texas panhandle and west coast. "We have put out a few things over the years but I have never been so proud of the music we are writing and recording now. There was a period where the kind of country I play, more traditional, story and instrument driven tunes weren't cool. Now what I do is cool again, Thank God" SA
What has already been an amazing journey is really just the beginning.
Scotty's first solo album, "Guilty", was released in 2019 and his second, "Road We're On" was released in 2021. "Road We're On" includes the top 10 Texas Radio hit "Cowboy's Daughter", top 25 "One More Reason" and another top 10, "Nothing Good Happens After Midnight". The critically acclaimed, "Herb's Hat Shop", an all acoustic, all covers album was released in 2022. Scotty is also a 7 time Texas Country Music Nominee.
We like to call him the best secret in country music, but not for long. Scotty's high-energy, classic country is taking fans by storm so this secret won't last long.
